Aristatle

TEETH is a project housing expression through wardrobe & an aesthetics display influenced by Nerdy Enthusiasm.

Streetwear sparked my interest in fashion.

It originated from a combination of New York hip-hop fashion, Skate Culture, Graffiti, California surf culture, and elements of sportswear, punk, and Japanese street fashion.

With New York being a melting pot of people it makes so much sense streetwear was birthed in that city.

My city London is a melting pot so I’m throwing in my ingredients to the melting pot that is streetwear.

The TEETH mind is a melting pot.

Lazy Snacks, a fusion band hailing from Devon, UK. Formed to kickstart a funk infused revolution of music, utilising a unique blend of jazz, funk, rock, disco and more.
Bringing a diverse range of musical influences to the stage. Lazy Snacks aim to entertain and bring their music to the masses. Their live shows are high energy and packed with unexpected twists and turns; Insisting on connecting with their audience and creating an unforgettable experience. Including, selling out the Exeter Phoenix and Hyde Park Book Club, Leeds and dominating festival stages like El Dorado, (22, 23), and Altitude (23).
The group has an album incoming this year with more singles to be released in the mean time. Keep your eyes and ears locked on the band as they move to showcase their sound.

Mahima Chaudhury is a 22-year-old, multi-disciplinary Artist and Art Manager based in London. Her artworks are a glimmer into her life experiences and the complex emotions she's associated with those moments. Mahima toes the line between illustrative realism and abstract surrealism so that the viewer is able to relate to her art literally and metaphorically. Her art embodies euphoric surrealism and through the use of perspective, she forms a relationship between her environments and dream-like concepts. Mahima’s inspirations derive from her perception of people, abstract forms of communication and her identity diaspora; she takes from her experiences and reinvents them into a more beautiful version of their realities.

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Jamie is a Midlands-born artist, currently based in London. His work as a software developer involves a strict adherence to rules and formulas in order to create a working product. His personal exploration of art is a dichotomy of this. He seeks to break and distort software in a way to produce visually stimulating imagery.

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Jump Street is a London-based DJ collective and single artist, specialising in house music, venturing into other genres such as Disco & House. They have played live in renowned venues such as EGG, Basing House, and Orange Yard. The collective consists of talented DJs such as Sophie Smalls, who has played for Ministry of Sound and has a residency with Plus 1 Radio, and Vintage Jiggy, who has played on NoSignal. They are not limited to London, as they have also performed in Dubai. Their primary goal is to keep the crowd entertained, and they love to interact with the audience during their performances. With Jump Street, you can expect to have a fantastic time dancing and smiling throughout their set.

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Clara Thadea is about the most independent an independent artist can get. She writes, plays, produces, mixes and masters everything by herself, and sometimes with the help of close friends. Once that is done, any visuals will also be DIY. Her live band is made up of Thomas Dunk on drums, Sara Madaluni on keys, and Sam Clarke on bass, and they add some live excitement to her production that are in the genre of indie/alternative/very very chill pop. The unique thing to listen for in her act is her way of singing in a jazzy and almost middle eastern way. The main goal of the music (besides being good) is to make listeners feel for which there is no word yet, some mix between nostalgia and confusion. During the live act, it is a lot more cheerful than her lyrics plan for it to be, and these are always filled with metaphors and imagery which have a deeper and more poetic meaning than most other ‘pop’.

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Hailing from Glasgow, Scotland, ALLKNIGHT hit the dance scene with undeniable force. She has worked with names such as Marsh, Le Youth, Jody Wisternoff & Rezident to name a few.
2024 brought with it a series of career highs, including joining Marsh across his Aria tour, playing at iconic venues such as The Fonda (LA), Webster Hall (NYC), Piknic Electronic (Montreal) and Red Rocks to round it all off.
Jodie’s hooky, ear-worm driven writing has resulted in continued support from labels such as This Never Happened, Major Recordings, Anjuna and Monstercat.
With an exciting string of releases through 2025, as well as the launch of her debut solo EP, there’s still so much more in store to keep us dancing and crying on the dancefloor all night!

Galick Zachary knows too well that you have to make noise to get noticed! From @cosmicarcade to his own cave, follow Z as he explores his own sound journey. Experimenting with synth driven melodic Hip-hop, Z is attempting to tell a story of an aspiring musician composing his own biography.

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The “Trini Resident on Reprezent Radio” Blasé Vanguard - I’m an International DJ, Producer & Artist who has made my name in the UK through entertainment and curation fusing the sound of my foundation in Soca & Calypso with worldwide influences, from UK Funky, Garage & Jungle to Dembow, Dub and Afrobeats. My sound is an ALL INCLUSIVE SOUND that can make people of all walks of life move together as one, through rhythm, melody and BASS. A trailblaze of caribbean expression, creativity & attitude, with all-inclusive sound.

I adore working with lots of colour and I strive to find rare visual harmonies between tones throughout various moments within the composition. Painting has always been an extremely personal and isolated experience for me, being a meditative process. The pure experience of art personally exists not in looking at the final piece, but within the moment of every brush stroke – the application of medium to canvas.

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In the early stages I explored with painting solely from feel - detaching my conscious self from the hand that held the paint brush. Previously, every stroke had to be precise and had to develop into the specific final view that had been decided during composition. It took a lot of practice and experimentation to find my flow – the space in which I now exist in as I paint. In that moment I free the brush, with my eyes acting as a guide in the process.

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The less you think about each stroke, the more you enjoy the feel of what you’re looking at.