ARTIST COMMUNITY

Based in London, made in Leeds, Ten Hands High's sound has evolved since their inception in 2019 and has now arrived at Vibe Central Station. Starting in classic indie rock roots, they now explore the boundaries of their genre, with each member's eclectic taste contributing to a sound that focuses on groove and atmosphere. They have consistently sold out headline shows in their two hometowns and have supported bands like Glass Caves and Luna Bay. Jack Saunders of BBC Radio 1 called their debut EP's lead single called Sweet, "euphoric". The band have been played on regional BBC Introducing, 6Music's BBC Introducing Mixtape and Radio X’s X-Posure, as well as being featured on playlists like Spotify's Students Union and Amazon's Fresh Indie.

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Northern-Irish Ghanaian music artist Winnie Ama has been hailed as a standout talent for three consecutive years. In 2024, both The Belfast Telegraph and The Irish Times recognised her as the 'One to Watch'. Her ascent began in 2022 when BBC Introducing ATL first labeled her as such after a series of captivating performances. The following year, she earned the prestigious RTE2FM 'Rising Artist' status and received one of three 'Rising Star' gold disks from Ditto.

Winnie's impactful journey continued in 2023 with a TEDxStormont talk by the multi-award-winning Belfast artist, showcasing her talents on international stages in the UK, Ireland, and the USA. Her performances caught the attention of icons like Macy Gray and Sister Sledge, who invited her to open their shows in Cork and Belfast. Notable stage appearances include headlining the BBC Introducing Stage at Latitude in 2022 and gracing the Glastonbury stage in 2023.

Her music is a fusion of conscious lyrics, soulful vocals, blending seamlessly with pop and dance rhythms. Hailing from Belfast she splits her time between her home city and London, Winnie Ama has garnered support from local and national radio, notably BBC Radio 1, where BBC Introducing's Gemma Bradley praised her unique voice and fresh writing style.

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I adore working with lots of colour and I strive to find rare visual harmonies between tones throughout various moments within the composition. Painting has always been an extremely personal and isolated experience for me, being a meditative process. The pure experience of art personally exists not in looking at the final piece, but within the moment of every brush stroke – the application of medium to canvas.

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In the early stages I explored with painting solely from feel - detaching my conscious self from the hand that held the paint brush. Previously, every stroke had to be precise and had to develop into the specific final view that had been decided during composition. It took a lot of practice and experimentation to find my flow – the space in which I now exist in as I paint. In that moment I free the brush, with my eyes acting as a guide in the process.

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The less you think about each stroke, the more you enjoy the feel of what you’re looking at.