ARTIST COMMUNITY
A whole bunch of amazing creative people who have blessed us with their performances.

Winnie Ama
Northern-Irish Ghanaian music artist Winnie Ama has been hailed as a standout talent for three consecutive years. In 2024, both The Belfast Telegraph and The Irish Times recognised her as the 'One to Watch'. Her ascent began in 2022 when BBC Introducing ATL first labeled her as such after a series of captivating performances. The following year, she earned the prestigious RTE2FM 'Rising Artist' status and received one of three 'Rising Star' gold disks from Ditto.
Winnie's impactful journey continued in 2023 with a TEDxStormont talk by the multi-award-winning Belfast artist, showcasing her talents on international stages in the UK, Ireland, and the USA. Her performances caught the attention of icons like Macy Gray and Sister Sledge, who invited her to open their shows in Cork and Belfast. Notable stage appearances include headlining the BBC Introducing Stage at Latitude in 2022 and gracing the Glastonbury stage in 2023.
Her music is a fusion of conscious lyrics, soulful vocals, blending seamlessly with pop and dance rhythms. Hailing from Belfast she splits her time between her home city and London, Winnie Ama has garnered support from local and national radio, notably BBC Radio 1, where BBC Introducing's Gemma Bradley praised her unique voice and fresh writing style.

Natalie Shay
North London born Natalie Shay writes indie-pop for people who feel everything. A multi-award-winning BRIT School grad and lyrical storyteller, she’s been playing guitar and writing since childhood — soundtracking love, self-discovery and the realities of life in your twenties,
With 20M+ streams Natalie has earned support from BBC Radio 1 Future Pop, BBC Radio 6 Music and BBC Introducing, plus features in Rolling Stone, Billboard, CLASH, and The Line of Best Fit.
Shay has sold out Omeara, supported Shania Twain at BST Hyde Park, toured with Gavin DeGraw and played festivals including SXSW, Latitude, Reading and Isle of Wight.

